
It is early morning at the Europe ‘08 HQ at O’Donnell’s in Boston. Yesterday, the European campaigners made a serious stab at getting to the bottom of the stash of alcohol, which O’Donnell’s research colleague from Harvard Business School left behind in a frenzied, narrow escape—resettling with his family in the draft free country of Canada. There is a littering of empty bottles and star-spangled blue paper flags in the sitting room. Alas, I believe that glasses were raised more than funds at yesterday’s dinner.
We have a Clinton rally scheduled at 10 am in Keene, NH, but our driver is incapacitated—he’s nowhere near recovery, he hasn’t even begun to recover. Instead, our gracious host offers to drive us and so we load Sancho Panza onto the back seat to sleep it off.
Before we head off north, deep into the orange forests of Massachusetts Dunkin’ Donuts road signs (believe me, they’re big here, really big!), we swing by a lush, green grove—a drive-in Starbucks on the outskirts of Boston. Drive-in Starbucks! Hegel would have found this to be the incarnate of the absolute idea—a mark of an illustrious civilisation, a sign that the four horsemen still has great distance to cover to reach our part of the universe.
We arrive at the Keene State College in the small New Hampshire town of Keene a quarter to ten when Hillary is scheduled to appear. As with the Rudy G town hall meeting, we are given press credentials straight away — without us asking for it. The set-up with a hung over, hatted, bearded and casually dressed Simon, carrying the camera and me in the suit and the strange accent seems to be the textbook definition of a foreign TV-journalist team. — At least in the eyes of inexperienced locals in charge of press credentials. This time we of course looked slightly more professional with O’Donnell as a local guide. But inside the press tent alongside crews from CNN, ABC, NBC etc. etc., our equipment gives us away: the Sony PD150 is the signature camera of small time ‘independent film makers’. Amateurs they are.
The rally takes place in the corner of a football field at the college. The audience is arranged in the stands with the rostrum alongside at one end and a seating area behind reserved for the local party notabilities. Banners and yards signs drapes the scene:
'Ready for Change,' 'Hillary!,' 'Clinton Country.'
The rally DJ is playing Celine Dion. It is a song which allegedly won the popular vote for the signature campaign song on hillaryclinton dot com — “You and I”—the horror, the horror.
The sun is beating down; the Clintons are late. At 10.30 the heat is already becoming unbearable.
Simon takes up position with the camera on a platform reserved for at the end opposite to the rostrum. I’m in the press tent getting coffee, fruit salad — with journalist’s small talk seeping in through the filter:
...left Denver this at 5...coming in through Logan...the traffic on the northbound 3 was horrible.
Two press officers from the Clinton campaign are making rounds among the journalists. Both young and good-looking women who seem to click well with male journalists—which is why they’ve been chosen, I guess. One of them, Karen, a petite blonde in a flowery dress with fashionable sunglasses on her head, gives me a huge smile. Her interest in me abruptly evaporates as she learns that I’m a foreigner—not even with a news network—that we are making independent film.
Senator Clinton is very late. Two hours—apparently due to an important vote in Congress. The sun is unrelenting. O’Donnell and I are in the stands; using Hillary signs to shade ourselves.
The crowd is abuzz with excitement when the presenter announces that the Clintons finally have arrived in Keene. We go down to hang out at the entrance behind the grandstand—in the forest of satellite transmitter trucks—to catch Hillary as she arrives.
But then in the shade of a modest toilet building, we are whisked off by an authoritative press officer, Jamie Smith, colleague to the petite blonde.
Journalists are not allowed at the back. She asks us to follow her across the backstage area to get to the press area. The moment after our passage is blocked by an aggressive secret service agent. Ms Smith and the agent have an angry exchange. The SS apparently only allows people to enter the back area if they wear a pin with a star.
As he watches the two quarrelling, Thomas Herzen spots a pencil twirled in a sloppy bun of Ms Smith’s long chestnut coloured hair—in an instant all sounds fade away to make way for a silent, frozen moment in time. Standing next to the toilets on a football field in Keene, New Hampshire, Herzen falls in love with the wonderfully commanding press officer Ms Jamie Smith.
And so we’ve found our love plot—the European now has a foot on each continent—a storyline that should make for a lot of interweaving subplots and slapstick situations. Will he be true to Europe? Will its most dedicated servant deceive Europe? Will he shift his allegiance to Hillary on account of his love?
J Smith with her former boss Madeleine Albright
The SS agent at work
Wearing the all-important star